Monday, September 21, 2015

Solomons Plein Air Festival - Day Four (Friday)









For me Friday was a low key day, but not for all the artists. The previous evening Peter Emerson was kind enough to tell me where to find him in the morning. Entering the Solomons Yachting Center and scanning for an artist should be an easy task – right? This particular marina is narrow situated on a tiny peninsula. So unlike many of the other marinas, there aren’t too many places to hide. The exception being the small boat yard where maintenance is performed. Only after beginning to drive out did I spy Peter in the yard nestled between several boats.


















I may have mentioned in another post that Peter is very dynamic and has tons of energy. He was the same cheerful, gregarious self on Friday morning. He had one piece completed and was working a second mindful that he had to have the finished works framed and submitted by noon! It was 9:30 and a good portion of the painting was done, but there was a sense of urgency as well. What I admired about Peter was his ability to work while conversing. One funny thing we both noticed is that there were some folks working for the marina painting a boat behind Perter. So both boats "were being painted" but one was having its hull brightened, while the other was being portrayed on new canvas. It was very comical in a way. Peter seems to enjoy a good jawing session and I’m more than willing to participate. Peter is quick to tell you about his painting preferences, and you can immediately discern that he is very passionate about his art. He’s still a very young guy in his late 20’s and someone to keep an eye out for as he continues to hone his craft.







It was approaching 10:00 am and my options and time were limited for finding more artists out painting. I decided to head to Carmen’s Gallery. As luck would have it, I found two more artists working. Greg Johannesen was finishing the piece from Thursday. I learned there was a second set of school children that came by the day before, which took a little more time than expected. None the less, I could tell Greg was glad to educate the class. In fact, he’s done many programs in local schools talking and teaching about art. He usually draws something using the same limited materials the kids have to show them what can be accomplished.



Look closely at the photo above. You will see four metal objects at the corners of Greg's paper, that I originally thought were tacks. This really baffled me, so I asked about them. He explained that they were rare earth magnets and demonstrated how he can move them around. Basically, on each corner are a pair of magnets, one on top and one behind the easel, holding the paper. By changing the location of the magnets Greg can work the entire piece of paper. Another great idea. 

Diane Laird, too, was out. She was occupied with another watercolor, this time of the Solomons Boat Rental shack on the Riverwalk. Although I had watched Diane draw and color several times in different locations around the island, I was surprised by a technique she employed. She had a salt grinder – you know the kind you use in the kitchen. She twisted the grinder sending some salt onto her paper! The technique pulls the watercolor and creates a texture. The size of the grains and wetness of the paper influence how the color pigments gather around the salt. Once the piece dries the salt is brushed off.



Hoping to find some other artists, I drove over to the Calvert Marina only to be a bit disappointed. There were no artists, but I did find something interesting. An old RV was sitting among the boats. It looked more like an old bus with a yellow band around the lower skin. Maybe the marina takes in Land Yachts!



The best part of the day was to come a little later. The artists were being treated to a cruise, and Deborah and I were graciously invited to attend. We sailed aboard the Dee of St. Mary’s from the Calvert Marine Museum. You could not have asked for a better evening; it was a perfect temperature and a nice wind was blowing. The First Mate told us about the design of the boat and a little about the Blue Crab fishery of the Chesapeake. He even had a crab that had just shed it shell. It was amazing to see both the old shell and the crab that had emerged therefrom. The crab was alive but seemingly comatose, it was perfectly still and defenseless. The First Mate claimed it was going to make a tasty dinner.




The ‘Crew’ of shanghaied artists raised the sail as a well-oiled team. Okay, well maybe not well-oiled, but they came together nicely to get the job done. A few of the artists took a turn at the helm, and there was a cannon to repel the pirates that ply the waters. A few of us even got the chance to fire blanks to forewarn the potential marauders.




























The evening concluded with dinner at a local restaurant with entertainment provided by Groovespan Duo. The bit of a delay in dinner did have one advantage; it allowed more time for conversation and allowed for little dancing by two adventurous participants. They danced really well and it brought a well-deserved round of applause from all. It was a great ending to a great day.












One more post to conclude coverage of the Plein Air Festival - hopefully I'll have that up tomorrow.


Cheers,
Brian








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